Anastasia Samoylova, Walker Evans: Floridas - Anastasia Samoylova
Anastasia Samoylova, Walker Evans: Floridas - Anastasia Samoylova Book
Sunshine state. Swampland paradise. Tourist aspiration. Real estate racket. Refuge of excess. Political swing-state. Subtropical fever dream. With forms of nature and culture found nowhere else, Florida is unique. It is also among the most elusive and misunderstood of places. Anastasia Samoylova photographs Florida on intensive road trips. Walker Evans (1903-75) photographed it over four decades. Twisting the visual clichs, these two remarkably discerning observers convey Floridas dizzying combination of fantasy and reality. Evans witnessed modern Florida emerging in the 1930s, with its blend of cultures, waves of tourism, stark beauty and blatant vulgarity. He photographed there until the 1970s, making Polaroids that still feel contemporary. Samoylova inherits what Evans saw coming. With intelligence and humor, she picks her way through the seductions and disappointments of a place that symbolizes the contradictions of the United States today. In Floridas, photographs by Samoylova and Evans are presented in parallel, weaving past and present, switching between blackand- white and color imagery, all complemented by an essay by editor David Campany and a visionary short story by celebrated novelist and Florida resident Lauren Groff. Florida is as fascinating as it is deceptive, a place of wild clich and deep complexity. Walker Evans and Anastasia Samoylova have been two of the states most acute and thoughtful observers. In this book their photographs are seen in rich dialogue across the decades. Florida cannot be explained but these smart and playful photographers are the perfect guides to the puzzle. David Campany.
P>Review In her travels across the state, she has captured Floridas idiosyncrasies in a variety of modes: some of the photographs are compact and succinct, others are multi-layered and obscure. Some are vaguely romantic. The final effect is much like Florida, complicated and hard to define.--Elisabeth Biondi "Photograph"The two photographers share an appreciation for the collage-like incongruities the state seems to offer in abundance, for the degree of artifice that produces them and the pictorial flatness they generate. But where Evans was chronicling a Florida on the verge of expansion from tourism and construction, Samoylova shows us a state already battered by climate change, not to mention overbuilding.--Lucy Sante "The New York Times Book Review"Through Floridas, Samoylova captures the Florida that Evans witnessed the unequivocal originations of. Weaving the past and the-- "Flaunt"Weaving black and white with color photographs filled with layers and light, the sequence can often seem dreamlike, but the two versions of Florida documented in?Floridas?are very real.--Jeff Campagna "Smithsonian"Its not call and echo, its a conversation...its a great photographers reverence before her great predecessor.--Michael Hoffman "Baffler" About the Author: Born in Moscow in 1984, Anastasia Samoylova moves between observational photography and studio practice. Recent exhibitions include those at Kunst Haus Wien, Kunsthalle Mannheim, USF Contemporary Art Museum, the Orlando Museum of Art, The Print Center and the Chrysler Museum of Art. Her work is held in the Wilhelm Hack Museum, Perez Art Museum Miami and the Museum of Contemporary Photography, Chicago, among other collections. Steidl published Samoylovas FloodZone in 2019. Walker Evans (1903-75) is an acknowledged master of photography whose diverse body of work continues to shape our understanding of the modern era. Evans began photographing in the 1920s, moving quickly to define his aesthetic and subject matter: straight and sober images of American everyday life and its environs. Within a decade he had produced some of the most significant photographs of the twentieth century, exhibited at the Museum of Modern Art and published two landmark books: American Photographs (1938) and Let us now Praise Famous Men with James Agee (1941). Evans wrote art and film reviews for Time (1943-45), was employed by Fortune between 1945 and 65 and taught at Yale thereafter. Steidl has published Lyric Documentary (2006), Walker Evans: the magazine work (2014) and Double Elephant (2015).(BK-9783969990070)
| SKU | BK-9783969990070 |
| Barcode # | 9783969990070 |
| Brand | Steidl Publishers |
| Artist / Author | Anastasia Samoylova |
| Shipping Weight | 1.7100kg |
| Shipping Width | 0.260m |
| Shipping Height | 0.030m |
| Shipping Length | 0.300m |
| Type | Hardcover |
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